Traditional caribbean art
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The Caribbean Artists Movement (CAM) originated in London in late 1966. The intention was to create a forum for writers, artists and critics from the English-speaking Caribbean, resident at that time in the United Kingdom. A major literary and cultural movement developed which expanded beyond West Indian writers and artists to encompass members from the United Kingdom, Europe, Africa, Black America and the Commonwealth. Talks, discussions, conferences, recitals and art exhibitions provided an opportunity to explore new directions in Caribbean arts and culture at a time of political and social change.
There were three co-founders of the movement: Edward Kamau Brathwaite (1930-2020), the poet, literary critic and historian born in Barbados; the poet, novelist, academic and broadcaster Andrew Salkey (1928-1995) born in Jamaica and the political and cultural activist, poet, essayist and publisher John La Rose (1927-2006) born in Trinidad.
The co-founders were concerned that many Caribbean writers and artists were being marginalised and did not have the opportunity to meet up and d
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The Caribbean Artists Movement
Cultural initiative (1966–c. 1972)
The Caribbean Artists Movement (CAM) was an influential cultural initiative, begun in London, England, in 1966 and active until about 1972,[1] that focused on the works being produced by Caribbean writers, visual artists, poets, dramatists, film makers, actors and musicians. The key people involved in setting up CAM were Edward Kamau Brathwaite, John La Rose and Andrew Salkey.[2][3] As Angela Cobbinah has written, "the movement had an enormous impact on Caribbean arts in Britain. In its intense five-year existence it set the dominant artistic trends, at the same time forging a bridge between West Indian migrants and those who came to be known as black Britons."[4]
History
In 1968, Brathwaite wrote about CAM's origins, dating them back to a small informal meeting held on 19 December 1966 in his London flat in Mecklenburgh Square[5] (although Louis James suggests that the "seed ideas of what was to become CAM were germinating in Brathwaite's activitie
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Caribbean art
Visual and plastic arts originating from the islands of the Caribbeans
Caribbean art refers to the visual (including painting, photography, and printmaking) as well as plastic arts (such as sculpture) originating from the islands of the Caribbean (for mainland-Caribbean see Caribbean South America). Art in the Caribbean reflects thousands of years of habitation by Arawak, Kalinago, and other people of the Caribbean followed by waves of immigration, which included artists of European origins and subsequently by artists with heritage from countries all around the world (including countries in the African continent). The nature of Caribbean art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in the Caribbean.
The governments of the Caribbean have at times played a central role in the development of Caribbean culture. However, some scholars and artists challenge this governmental role. Historically and in later times artists have combined British, French, Spanish, Dutch an
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