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Hal Brent Wallis from Tenement Dweller to Chief Commander of The British Empire



HAL WALLIS ON HIS ENGLISH ESTATE IN VAN NUYS 1939

Born 1898 in a Westside Chicago tenement to Jewish parents whose people were vaguely displaced between Poland (modern day Bulgaria), Lithuanian, and Russia by emigration, Aaron Blum Walinsky produced two academy award winning movies, 386-498 other films, and worked with the majority of A-list Golden and Silver Screen talent. Ultimately evolving into Hal Brent Wallis, the man whose education ended at age fourteen died in 1986.



Wallis’ sister Minna, two years older, proceeded him in relocating to Hollywood. Minna worked for Warner’s lawyer Edward Loeb of Loeb, Walker, and Loeb (today Loeb & Loeb). When Jack Warner was looking for a secretary Edward Loeb suggested Minna, and she became Jack Warner’s secretary. Soon she undertook the role as an agent (by 1930 Clark Gable was one of her clients). She suggested her brother for a job managing the Garrick Theater (Cinema) at Eighth and Broadway in dowtown Los Angeles. Wallis quit his job as a travelin

Legendary producer Hal B. Wallis was born in Chicago and moved to Los Angeles when he was in his early 20s. He got a job managing a theater owned by Warner Bros., and his success at the job caught the eye of studio head Jack L. Warner, who gave him a job in the studio's publicity department. Within a few months Wallis had worked his way up to head of the department. He was named studio manager in 1928 and production manager shortly thereafter, but was pushed aside by another legendary producer, future 20th Century-Fox studio head Darryl F. Zanuck. In 1933 Zanuck left Warner and Wallis moved back to his old position. He oversaw the production of many of Warners' most famous films, including Little Caesar (1931), I Am a Fugitive from a Chain Gang (1932), Captain Blood (1935), The Adventures of Robin Hood (1938) and Casablanca (1942). In 1944 Wallis left Warner and formed his own production company, and achieved even more success, being responsible for such films as The Rose Tattoo (1955), Becket (1964), and a string of Elvis Presley movies, most of which were economica

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