Robert graves cause of death
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The
Hudson
Review
. . . the title of poet
Comes only with death.
—Robert Graves
Trying to think why we should still read Robert Graves, who can seem these days a minor if prolific writer, I turn to poems like “The Face in the Mirror”:
Grey haunted eyes, absent-mindedly glaring
From wide, uneven orbits; one brow drooping
Somewhat over the eye
Because of a missile fragment still inhering,
Skin deep, as a foolish record of old-world fighting.
Crookedly broken nose—low tackling caused it;
Cheeks, furrowed; coarse grey hair, flying frenetic;
Forehead, wrinkled and high;
Jowls, prominent; ears, large; jaw pugilistic;
Teeth, few; lips, full and ruddy; mouth, ascetic.
I pause with razor poised, scowling derision
At the mirrored man whose beard needs my attention,
And once more ask him why
He still stands ready, with a boy’s presumption,
To court the queen in her high silk pavilion.
It’s all there—the mythologizing of love border
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Written with the blessing of the Graves family, this is the definitive biography of one of our greatest poets and writers. Robert Graves (1895-1985) was one of the greatest poets and polymaths of the twentieth century, whose long life matched the intensity of his imaginative output. From his distinguished exploits in the First World War, described in his memoir GOODBYE TO ALL THAT, to his dramatic relationships with women, most notably the American poet and essayist Laura Riding, his life was one of extremes: he sought pain, took huge emotional risks, and lived as if each day were his last. First published to mark the centenary of his birth, Miranda Seymour's acclaimed biography was written with the full co-operation of the Graves family. Her interviews and correspondence with many people who have not previously discussed Graves in public contribute to a rich and complex portrait of a troubled man and a great creative artist. "I have never been able to understand the contention that a poet's life is irrelevant to his work," Graves said. Miranda Seymour puts Graves's statement to t
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Robert Graves
English poet, novelist, critic, and classicist (1895–1985)
For other people named Robert Graves, see Robert Graves (disambiguation).
Captain Robert von Ranke Graves (24 July 1895 – 7 December 1985)[1][2] was an English poet, soldier, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology.
Robert Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That (1929), and his speculative study of poetic inspiration The White Goddess have never been out of print.[3] He was also a renowned short story writer, with stories such as "The Tenement" still being popular today.
He earned his living from writing, particularly popular historical novels such as I, Claudius; King Jesus; The Golden Fleece; and Count Belisarius. He also was a prominent tr
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